LET us then consider Psalm 2 and see whether it is possible to reconstruct the historical situation presupposed by it. The Psalm is artistically constructed, and falls into four strophes of nearly equal length; it also displays great poetical vigour and dramatic power. Its central thought is the world-wide dominion of the King of Zion.1 First strophe (vv. 1–3). The poet begins by describing a confederacy of subject nations, mustering for a revolt, and eager to cast off their allegiance to
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